论日本战时体制下中岛敦的文学者姿态——再读《山月记》  

Japan's War Time: Rereading of Nakajima Atsushi's Records of Mountain and Moon

作　　者：马英萍[1] 

机构地区：[1]厦门大学外文学院,福建厦门361005

出　　处：《浙江树人大学学报》2014年第2期68-75,共8页Journal of Zhejiang Shuren University

基　　金：中央高校基本科研业务费资助项目(0650-ZK1006)

摘　　要：《山月记》中的李徵在"安史之乱"时期进士及第,他对仕途始终抱有偏离甚至放弃的态度。李徵从官吏到诗人、最后变身为虎的过程是一个知识人逐步远离权力中心、自我边缘化的过程。根据"虎"的威武形象和"徵"字所包含的"感召"之意,可以将李徵定义为放弃正统性的发言同时又具有感召力的文人,而这正是在战时体制下的日本作者中岛敦所追求和显示出的文学者姿态。Li Zheng, the hero of Records of Mountain and Moon, passed the highest imperial examination during the period of Turmoil of Anshi in Tang Dynasty .But his poems were not approved by the mainstream due to a lack of political nature since he always tried to depart from or even abandon his political career .His changes from an official to a poet and eventually into a tiger demonstrated the process of the intellectual＆#39;s marginalization from power .Li Zheng is the kind of person who abandons the say in mainstream but tries to voice his own inspiration at the same time .This is exactly what Nakajima Atsushi＆#39;s stand during war time in Japan .

关 键 词：中岛敦 战时体制 山月记 人虎传 

分 类 号：I313.074[文学—其他各国文学]