“声诗”传统与现代解诗学的“声解”理论建构  

The Tradition of "Phonic Poetry" and the Reconstruction of "Phonic Hermeneutics" in Modern Theory of Hermeneutics of Poetry

作　　者：赵黎明[1] 

机构地区：[1]湖北文理学院文学院,湖北襄阳441053

出　　处：《浙江大学学报（人文社会科学版）》2014年第2期111-121,共11页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：中国博士后科学研究基金面上资助项目(20090461130);中国博士后科学研究基金特别资助项目(201003595)

摘　　要：传统中国抒情诗一向被称为"乐诗",古典诗学解释学也素有"以声解诗"的传统,然而由于口语白话诗的兴起、西洋诗的渗入及重义轻读等因素的影响,这一传统在五四新文学运动的冲击之下遭遇了"断裂"的命运,因此,如何重建新诗的声音解释学成为摆在新诗面前的重要理论课题。现代诗论家的探索告诉我们,借助于传统诗学资源,至少可以从"以声观志"、"因声寻义"、"同调同感"、"缘声入神"以及新诗解释的戏剧化等若干层面,重构现代诗学的"声解"体系。Traditional Chinese lyric poetry is always known as ＂musical poetry＂ or ＂phonic poetry. ＂ Classical Poetics hermeneutics is also known as the tradition of ＂interpreting poetry in phonic way.＂ In the shock of the May Fourth Literature Revolution, however, such profound ancient ＂phonic hermeneutics＂ tradition suffered a devastating blow and a fracture between ancient and modern Chinese poetics had then occurred. Which factors led to this fracture？ Firstly, modern vernacular poetry＇s inclining to colloquialism caused the loss of phonic tradition of classical poetry. Secondly, the loss of classical poetry＇s musicality made modern poetry lose its musical basis. Thirdly, the penetration of western poetry resulted in modern vernacular poetry gradually losing the roots of national language. Fourthly, several biases in modern reading practices such as neglecting reading while appreciating looking, excessive pursuit of beauty of statics and ignoring voice chanting while emphasizing meaning seeking caused missing of voice. Therefore, reconstructing tradition of phonic hermeneutics of modern Chinese poetry is particularly urgent and important.

关 键 词：声诗传统 现代解诗学理论 声解理论 乐诗 现代诗 

分 类 号：I207.25[文学—中国文学]