老庄玄学与邓以蜇的艺术至高境界  

Taoist Metaphysics and the Supreme Artistic State of DENG Yi-zhe

作　　者：王建英[1] 

机构地区：[1]中北大学艺术学院,山西太原030051

出　　处：《贵州大学学报（艺术版）》2014年第1期89-95,共7页Journal of Guizhou University Art Edition

基　　金：教育部人文社会科学研究青年基金项目"留学经验与我国早期艺术学研究"[项目编号:10YJC760070]研究成果

摘　　要：邓以蜇的艺术思想明显受到老庄哲学的影响。体现在他对艺术至高境界的阐述中,他认为艺术的至高境界是自然之境,就是道的境界,而道是不可言喻的,只可意会,同时艺术技巧的至高境界也是道,邓以蜇全面继承了老庄哲学关于由技而道,技道两进的观点,探讨了在艺术发展的过程中技巧与艺术本体——道的关系。DENG Yi -zheg artistic thoughts are apparently influenced by Taoist metaphysics, embodied in the interpre- tation of supreme artistic state. He believes the supreme artistic state is the state of nature and that of Tao which is inef- fable and can only be perceived. He also thinks the supreme state of artistry is also Tao. DENG Yi - zhe explores the relationship between artistry and Tao by fully inheriting Taoist views that Tao evolves from artistry and they develop alongside.

关 键 词：邓以蜇 老庄玄学 艺术 自然 至高境界 

分 类 号：J0-02[艺术—艺术理论]