鲁迅小说中人物话语的戏剧艺术审美效果  

Aesthetical Effects of Drama of Characters' Discourses in Lu Xun's Fictions

作　　者：孙淑芳[1] 

机构地区：[1]云南师范大学职业技术教育学院,云南昆明650092

出　　处：《中国文学研究》2014年第2期92-97,共6页Research of Chinese Literature

基　　金：作者云南省教育厅科学研究基金项目"戏剧艺术视野下的鲁迅小说研究"(2013Y406);2013年云南师范大学博士科研启动项目"鲁迅小说的艺术个性与绍兴地方戏"的阶段性成果

摘　　要：从戏剧艺术审美来看,鲁迅小说中的人物话语明显地体现出戏剧话语的审美特点——不仅显示人物的性格,更具有很直观的动作性。具体表现在人物"自然"对话的动作性和个人独白的动作性两个方面。鲁迅小说中这两种富有动作性的人物话语,不仅指向人物的生存状态,更指向人物的精神状态,在一定程度上体现出了西方戏剧的现代性。鲁迅小说在塑造人物手段上对戏剧艺术的借鉴、融合和创新,增加了自身的表现力,使其对于人物内心活动的展示获得了更为直观、客观、生动的戏剧艺术审美效果。From drama aesthetics perspective, Characters＇ discourses in Lu Xun＇s fictions are basically displayed in a dramati- cally direct way. They carry a kind of illusion that they get rid of narrators＇ control and ＂go as they like＂. As a result, it seems that subjects of the discourses get free from the agencies of narrators and meet with us ＂directly＂, which achieves a kind of objectivity and vitality. Characters＇ discourses also evidently reflect features of drama discourses, that is, they not only demonstrate characters＇ personalities, but also have direct viewing sense of action. Characters＇ discourses with action sense point to characters＇ living states and more importantly, to their mental states. To a certain extent, the characters＇ discourses indicate the modernism of western drama.

关 键 词：鲁迅小说 人物话语 动作性 戏剧审美效果 

分 类 号：I209[文学—中国文学]