文论元范畴“气”的生成与泛化  

On the Generation and Generalization of Literary Theory's “Qi”Original Category

作　　者：杨星映[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《重庆师范大学学报（哲学社会科学版）》2014年第2期5-13,共9页Journal of Chongqing Normal University Edition of Social Siences

基　　金：著者所承担的重庆市哲学社会科学规划项目(项目批准号:2008YY09)<以气;象;味元范畴为核心的中国古代文论体系建构>的系列成果之一

摘　　要："气"是中国古代文论的元范畴之一。从魏晋到唐宋,"气"由哲学范畴向文论范畴衍变,在文学理论批评中充分展开。文"气"范畴涵盖了文学的本源、创作主体的生理与心理特征及创作主体气质才性、精神意志对创作客体的投射贯注,从而形成创作客体的审美特质等诸多方面。文"气"范畴自确立始便开始了审美泛化的历程,形成以气为核心的范畴群,任何关涉创作主体、创作客体的性质、特征、关系、变化的文学现象,都可以衍生出林林总总、"气"象万千的气范畴,泛化无穷,具有着无限延展性、包容性、浑融性、模糊性。＂ Qi＂ is one of the original categories of Chinese ancient literary theory. From the Wei Jin to the Tang Song dynasties, ＂Qi＂ have evolved from the philosophical category to the literary theory category, and fully expanded in the literary theory criticism. ＂Wen Qi＂ category covers the origin of literature, the physical and psychological characteristics of creation subject, the creation subject＇ s temperament and talent, spirit and will also project on the creation object, which form aesthetic trait and many other aspects. ＂Wen Qi＂ category has been a process of aesthetic generalization since the establishment, formed a category group, of which the core is ＂Qi＂, any literary phenomena which relate to the nature, characteristics, relationships, changes of creation subject and creation object, could derive all kinds of the ＂Qi＂ category, the generalization is infinite, which have obvious characteristics, such as unlimited extensibility, inclusiveness, integral whole, fuzziness.

关 键 词：气 生命根基 元范畴 范畴群 泛化 

分 类 号：I206.2[文学—中国文学]