学堂乐歌中的女性形象  

On the Female Images in the School Songs

作　　者：游歆睿[1] 

机构地区：[1]福建师范大学福清分校人文科学系,福建福州350300

出　　处：《福建师大福清分校学报》2014年第1期87-95,共9页Journal of Fuqing Branch of Fujian Normal University

摘　　要：学堂乐歌这一盛行于清季末叶,民国初年的学校歌曲,是中国近现代音乐史上一次具有救亡意义的音乐运动。在那个启蒙开化的世纪之交,随着新思潮的涌动,女性问题也油然获得关注,被提升到一个前所未有的高度得以重视。学堂乐歌首先从音乐的角度对这些新思想进行了阐释及传播,我们不难从音符的背后窥探出这其中所显现或隐含的女性形象。自女性意识、女权主义萌发之时,学堂乐歌的先辈们在倡导不缠足、提倡婚姻自由、要求男女平等、女性受教育及妇女从军等现实问题上,用学校集体唱歌这一新鲜的血液,浇灌出对女性的人文关怀,也获取了历时、共时的历史脉络中之共鸣及回响。School Songs, which was popular in late Qing and early Min, is of great significance of the national music movement in Chinese modem music history. At the turn of the enlightenment century, with the new trend of surging, women＇s issues were gained attention and taken seriously in an unprecedented height. School Songs interpreted and spread the new thoughts from the perspective of music in the first place. This paper, based on the School Songs, analyzes the appeared or implied Female image.

关 键 词：学堂乐歌 女性 男女平等 女权 近代社会 

分 类 号：J607[艺术—音乐]