论马华当代诗歌的后现代色彩  

On the Postmodern Features of Contemporary Malaysian Chinese Poetry

作　　者：朱文斌[1] 

机构地区：[1]绍兴文理学院世界华文文学研究所,浙江绍兴312000

出　　处：《暨南学报（哲学社会科学版）》2014年第4期17-22,163,共6页Jinan Journal(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目<东南亚华文诗歌研究>(批准号:10CZW053);国家社会科学基金项目<20世纪80年代以来东南亚华文报纸文学副刊研究>(批准号:11BZW112);国家社会科学基金重大项目<百年海外华文文学研究>(批准号:11&ZD111)

摘　　要：进入20世纪90年代之后,马华诗坛发生了新的转向,马华诗人开始走向个人化写作,具有浓厚的后现代色彩,主要表现在三个方面:对日常生活的深入关注、解构性的反神性写作以及"后乌托邦"的想象方式。马华当代诗人脱离西方文本与语境,引进后现代主义话语,把诗歌导入晦涩难懂的灾难性绝境,在某种程度上加深了马华诗歌的边缘化,使马华当代诗歌陷入了新的发展困境。Since the 1990s,a new change has begun in the world of Malaysian Chinese poetry. Malaysian Chinese poets have turned to individualized writing with strong features of postmodernism,which is embodied in three aspects: close attentionto daily life,the deconstructive writing of anti-divinity and 'post-utopian'imaginary ways. Postmodernism discourse was introduced by contemporary Malaysian Chinese poets without consideration about western text and context,which has led poetry into an obscure and disastrous impasse,to some degree,deepening poetry's being marginalized. Thus contemporary Malaysian Chinese poetry is facing a new development predicament.

关 键 词：马华当代诗歌 个人化写作 后现代 发展困境 

分 类 号：I106.2[文学—世界文学]