满族萨满祭祀神歌的文学性考察  

Literary Characteristics Research of Manchu Shaman Spiritual Songs

作　　者：权赫子[1] 李秀云[1] 

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《吉林师范大学学报（人文社会科学版）》2014年第3期98-101,共4页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：教育部人文社会科学规划项目"东北民间文艺研究"(编号:11YJA751041)

摘　　要：满族的代表性萨满祭祀神歌,如吉林九台石姓、清代宫廷、舒舒觉罗氏、沈阳法库县陈汉军旗等,呈现出不同的结构特征及文学性之强弱,展现了萨满文化因地域、阶层、来源、传播与接受的差异所产生的阶梯性发展轨迹。本文从神灵形象的塑造、祈愿目的之表现、祭祀过程之叙述等三方面,考察了上述满族萨满祭祀神歌之差异,旨在准确把握其文学性特征。The representation of the Manchu Shaman spiritual songs, such as the Seok of Jiu Tai in Jilin Province, the court of the Qing Dynasty, the Susugiolo Hala, the Fakuxian forrester jensign etc, show the character-istics of different structures and the strength of literariness, reveal the ladder of the development trajectory of Sha-man culture due to the geography, class, source, spreading and the differences of acceptance. This paper, from three aspects, for example, the characterization of the gods, the performance of the prayer purpose, the narrative of the sacrifice process, studies the differences between these Manchu Shaman spiritual songs, which was designed to accurately grasp the literary characteristics.

关 键 词：满族 萨满祭祀 神歌 文学性 比较 

分 类 号：G122[文化科学] K249[历史地理—历史学]