转变期青花瓷艺术空前繁荣的原因  

On the Cause of Unprecedented Prosperity of Blue and White Porcelain Art in Transition Period

作　　者：陈昊[1] 

机构地区：[1]浙江工商大学艺术设计学院,杭州310018

出　　处：《浙江工商大学学报》2014年第3期59-62,共4页Journal of Zhejiang Gongshang University

摘　　要：明末清初〔明万历三十六年(1608)至康熙二十年(1681)〕的青花瓷艺术没有因御窑停烧和战乱而衰败,相反,出现了空前繁荣的局面,展现了独特的时代特征和风貌。陶瓷学界称这个时期为中国瓷器发展的转变期。由于晚明商品经济的发展,思想观念的解放,御窑与民窑的融合和互动,以及科技的发展,使瓷器在构图风格、造型技法、纹饰绘画、审美观念等方面都有极可贵的创新和发展。In the transitional period between Ming Dynasty and Qing Dynasty （1608-1681）, Blue and white porcelain art had never stagnated or declined because of the cease of imperial kilns or the war. Instead, it had experienced unprecedented prosperity and displayed distinctive features and style of the era which was known as ＂The Transition Period ＂by ceramic scholars. Due to the development of commodity economy in late Ming Dynasty, liberation of thought and technological advancement, as well as the integration and interaction between imperial kilns and folk kilns, Chinese porcelain art in ＂The Transition Period＂ showed most valuable innovation and development in many aspects as compositional style, modeling techniques, decoration painting, aesthetic ideas and so on.

关 键 词：转变期 青花瓷 创新 原因 

分 类 号：J509[艺术—艺术设计]