勋伯格为何代表进步——哲学与作曲的对话:阿多诺音乐哲学思想研究之一  

Why Schoenberg Represent Progress-Dialogue between Philosophy and Composition: Research on Adorno's Music Philosophical Thought

作　　者：唐应龙[1,2] 

机构地区：[1]黑龙江大学 [2]云南大学艺术与设计学院

出　　处：《黄钟（武汉音乐学院学报）》2014年第2期139-146,共8页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：鉴于作曲的重要性,阿多诺找出勋伯格与斯特拉文斯基作为对立的两极,从音乐本体的历史逻辑、音乐精神内涵和现实意义等方面论述勋伯格音乐的进步性。认为勋伯格音乐的技法创新符合音乐历史逻辑,内涵上体现出表现自我同情弱者的人本精神,从而发挥出批判社会的现实功能。Given the importance of the composition, Adorno selected Schoenberg and Stravinsky as opposing poles, and discussed the progressiveness of Schoenberg music from the aspects of the music nou- menal historical logic, spiritual connotation and realistic significance of music. It regarded as the techniques innovation in Schoenberg music in line with the music historical logic, the innermost reflected human-oriented spirit to self-expression and sympathy the weak, which play z critical social reality functions.

关 键 词：阿多诺 《新音乐哲学》 勋伯格 音乐素材 社会性 哲学思想 

分 类 号：J616.1[艺术—音乐]