唐代女性服饰图像学解读——以《虢国夫人游春图》为例  

Interpretation of the Female Costumes Image:the Painting of Lady of Guoguo Spring Outing as an Example

作　　者：安彩凤[1] 

机构地区：[1]西安文理学院文化与旅游学院,西安710065

出　　处：《唐都学刊》2014年第3期52-56,共5页Tangdu Journal

基　　金：陕西省重点学科项目;陕西省教育厅专项科研计划项目(11JK0234)

摘　　要：图像学是一种诠释艺术作品的研究方法。对唐代张萱的《虢国夫人游春图》图像的绘画技法、表现形式及人物布局方式的解读,只是图像学视觉上的识别,而画面人物反映的时代风貌、人文风俗及审美意境等,都隐含在形式美中,再现了那个时代女性特有的精神神韵,映射出盛唐时期的社会状况。Iconography is a research method to interpret arts. It was just visual recognition of iconography to interpret the painting of Lady of Guoguo Spring Outing by Zhang Xuan in forms and character layout mode. The spirit of the times, cultural custo the Tang Dynasty from painting techniques, ms and aesthetic artistic conception reflected by figures, had implied in the form of beauty, reproducing the spirit feminine charm in that era, mapping out the social situation of the Tang Dynasty.

关 键 词：唐代服饰 图像学 《虢国夫人游春图》 社会内涵 

分 类 号：K242[历史地理—历史学]