让想象张开翅膀——论接受美学视域下品特式房间的建构  

The Creativity of Readers' Imagination:the Construction of Pinter's Room Image in the Perspective of Aesthetics of Reception

作　　者：刘明录[1] 

机构地区：[1]广西生态工程职业技术学院公共教学部,广西柳州545004

出　　处：《浙江师范大学学报（社会科学版）》2014年第3期69-74,共6页Journal of Zhejiang Normal University(Social Sciences)

基　　金：国家社会科学基金项目"接受美学视域下的品特戏剧研究"(13BWW049)

摘　　要：品特式房间是品特戏剧的基本设置和重要标识,从接受美学的视角来看,正是由于启发了读者思维意识的高度参与,品特式房间才具有了旺盛的生命力,成就了品特式房间的独特审美效应。通过让剧情发展与读者的审美期待产生背离,品特颠覆了传统的房间认识,又通过召唤性结构的利用,品特激发了观众的想象力,重构了房间形象。Room is one of the essential settings and important symbols in Pinter ’ s plays.In the perspective of Aesthetics of Reception , just because it successfully arouses readers ’ imagination, Pinter’ s room becomes powerful and takes unique aesthetic effect .By way of making plot development deviate from aesthetic expectation , Pinter overturns readers ’ or audiences ’ recognition of traditional room image .Meanwhile , by way of utilizing readers ’ or audiences ’ calling structure , Pinter successfully stimulates readers ’ or audiences ’ imagination , and reestablishes a new image for his room .

关 键 词：品特式房间 审美期待 召唤性结构 

分 类 号：I106[文学—世界文学]