“软红十丈春风酣,不重美女重美男”——由《品花宝鉴》看清代士伶的性别倒错  

Spring Breeze Sway the Prosperity, Pay More Attention to Handsome Man than Beautiful Woman:——Views on the Sex reversal from “Pin Hua Bao Jian” in Qing Dynasy

作　　者：武云霞[1] 

机构地区：[1]内蒙古工业大学

出　　处：《中华文化论坛》2014年第6期71-76,192,共6页Journal of Chinese Culture

基　　金：国家社会科学基金资助项目阶段性成果之一;项目编号为10BZW069

摘　　要：清代男风炽烈,此种社会性爱风气浸淫下,士伶身上都不同程度地显示出性别倒错的特征。清代士人的性别倒错可以被理解成一种基于传统审美心理作用下的"中国式的同性恋",其中又错杂了近于古希腊人"两性化"生活方式的特征。而男伶的性别倒错则完全属于强权下的扭曲与异化,他们已经成为当时社会性别体系中的道地的"无家可归者"。Male homosexuality is prevailed in Qing dynasty, in this background, gender inversion with different magnitude were reflected on scholars. Gender inversion on Scholars in Qing dynasty can be considered as 'Homosexuality of Chinese style' with traditional aesthetic psychology, and complicated with characters of 'androgyny model' of ancient Greece. The female scholar' s gender inversion was the product of distortion andalienation of power politics, they became real 'homeless' in social gender system in that time.

关 键 词：性别倒错 审美心理 “两性化”特征 空白占据理论 扭曲与异化 

分 类 号：I207.42[文学—中国文学]