从霍米·巴巴的后殖民理论看徐冰的“烟草计划·达勒姆”  

On Xu Bing's"Tobacco Project-Durham"from the Perspective of Homi K.Bhabha's Postcolonial Theory

作　　者：郑海文[1] 

机构地区：[1]山东大学艺术学院,山东济南250100

出　　处：《科教文汇》2014年第16期227-228,共2页Journal of Science and Education

摘　　要：徐冰是当代最活跃的艺术家之一,作为一个受85新潮影响的特定时代的艺术家,徐冰不像有些艺术家那样全盘西化,走出一条更有创造和生命力的艺术形式,大量地结合中西的文化形式,产生出一种矛盾和碰撞,引人反思。"烟草计划"是徐冰2000年以来的作品,对于这个作品的解读可以是多角度的,就像是艺术家自己理解的那样:将解释权归给观众。笔者发现徐冰的"烟草计划"与霍米·巴巴的后殖民主义思想中的矛盾、混杂性非常契合,用此来解读也会很有意思。本文主要是通过霍米·巴巴的后殖民主义思想来解读徐冰的"烟草计划·达勒姆"。Xu Bing is one of the most active contemporary artists. As an artist influenced by the 85 new trend in the specific period, Xu Bing does not advocate wholesale Westernization like some artists, but takes a more creative and energetic form of art, inte-grating a large number of Chinese and Western cultural forms and creating a conflict and collision, which arouses people＇s re-flections. Tobacco Project is Xu Bing＇s works since 2000. The works can be interpreted from multiple perspectives, just as the understanding of artist himself：returning the right of interpreta-tion to the audience. The writer found that Xu Bing＇s Tobacco Project are highly integrated with the contradiction and mixture in Homi K. Bhabha＇s postcolonial theory, so the interpretation from this perspective will be interesting. This paper mainly interprets Xu Bing＇s ＂Tobacco Project-Durham＂ from the perspective of Homi K. Bhabha＇s postcolonial theory.

关 键 词：霍米·巴巴 后殖民理论 矛盾状态 混杂性 徐冰 烟草计划 

分 类 号：K06[历史地理—历史学]