元代“自搬词传”表演艺术活动考论  

On the Performance Art of “Zi Ban Ci Zhuan”in Yuan Dynasty

作　　者：牛贵琥[1] 李雪梅[1] 

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《山西大学学报（哲学社会科学版）》2014年第4期136-140,共5页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目"元明说唱词话研究"(13YJC751068)

摘　　要：元代官方用"自搬词传"一词来指代当时民间村社自发组织的"说唱词话"表演艺术活动,由于这种活动被元代统治者屡加严禁,所以相关记载仅见于元代禁令史料中,鲜有后世学者提及研究。文章抽绎史料并结合近年发现的非物质文化遗产资料,对"自搬词传"表演艺术活动概念、演出时间、文本、道具、方式、演员、观众、场所等诸多方面进行了初步考论,认为这一表演艺术活动在中国戏曲的形成轨迹中应占有重要地位。同时,也可为宋元"面具戏"向"角色戏"的转化探讨及元代戏曲表演的承继来源研究,提供一些重要的史证参照。＂ Zi Ban Ci Zhuan＂ was the official name used to refer to the civilian voluntary performance in Yuan Dynasty. Because it was prohibited repeatedly, the relevant records could only be found in the ban file of Yuan Dynasty, and few scholars mentioned it. The arthor preliminary studied the concept, stage property, actors, audience andplaces of ＂Zi Ban Ci Zhuan＂ on the basis of combining historical records with intangible cultural heritage. ＂Zi BanCi Zhuan＂ occupied an important position in Chinese opera history, and at the same time it also provided importanthistorical reference for the transformation of the ＂mask play＂ into the ＂role play＂ of Yuan Dynasty.

关 键 词：元代自搬词传 说唱词话 戏曲表演 面具 

分 类 号：I237[文学—中国文学]