中国跨界民族舞蹈的消弥与留存——以东北、内蒙古地区跨界民族萨满舞蹈为例  

The Elimination and Retention in Cross-Border Ethnic Dance of China:Exemplified by Shaman Dance of cross-border ethnic groups in northeast China and the Inner Mongolia Region

作　　者：车延芬[1] 

机构地区：[1]中央民族大学舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2014年第3期86-91,共6页Journal of Beijing Dance Academy

基　　金：国家民委2012年度科研项目"中国跨界民族舞蹈研究"(项目编号:12ZYZ021)的阶段性成果

摘　　要：本文以东北、内蒙古地区跨界民族萨满舞蹈为例,通过对萨满舞蹈的消弥和留存过程的梳理来探索中国跨界民族舞蹈研究的方法和路径。在对跨界民族萨满舞蹈的消弥和复兴过程的描述中,作者从鄂温克族(埃文克族)萨满的身体运动出发,以舞蹈的视角呈现萨满文化消弥的全过程;在对萨满舞蹈的隐匿和留存过程的描述中,作者从萨满的服饰、法器和动作形态中寻找萨满舞蹈在今天朝鲜族和蒙古族舞蹈中的踪迹。最后,作者通过萨满活动从仪式到展演的转变,从民间舞蹈的宗教性与娱乐性两个角度对本文进行总结,并认为,萨满舞蹈的消弥和留存对中国跨界民族舞蹈研究具有启示作用。This paper takes Shaman Dance of cross-border ethnic groups in northeast China and the Inner Mongolia region as study case. Through managing the process of eliminate and retain against Hezhe and Ewenkis Shaman Dance, the paper explores the possible methods and paths in the study of Chinese cross-border ethnic dance. In describing the historical process of cross-border ethnic Shaman Dance＇s elimination and revival, the paper tries to build up the relationship between dance and instruments used by the human movements. In the description of Shaman Dance＇ s retention process, the author tries to find the trails in today＇ s Chaoxian and Mongolian ethnic dance in the perspectives of the costumes, instruments and actions. Finally, the paper attempts to generalize in two aspects： transformation from ritual to cultural performance, and religious dance and entertainment dance. It believes that the study of Shaman Dance＇ s elimination and retention bring the inspiration to the study of cross-border ethnic dance in China.

关 键 词：跨界民族 萨满舞蹈 身体运动 舞蹈文化 

分 类 号：J722[艺术—舞蹈]