原始宗教观念下满族萨满舞蹈的生成与功能  

Influence of the primitive religion of Manchu Shaman Dance

作　　者：黄斯[1] 

机构地区：[1]星海音乐学院舞蹈系,广州510006

出　　处：《北京舞蹈学院学报》2014年第3期101-103,共3页Journal of Beijing Dance Academy

摘　　要：萨满是原始宗教文化的表征之一,从满族祖先肃慎部族时代开始,萨满就已经诞生了,并逐步传承发展至今。在原始宗教万物有灵、灵魂不死等观念的影响下,游牧民族的萨满教逐渐形成并得以发展,由此诞生的还有萨满教派的巫师与其特殊的舞蹈形式。总的来说,在宗教观念的影响下,满族的萨满舞蹈形成了肃穆的家祭舞蹈和迷狂的野祭舞蹈两种艺术形式。同时,由于舞蹈是满族萨满做法时所用的主要表现手段,萨满教在氏族生活中所发挥的功能,也转接到了舞蹈之上,令萨满舞蹈在满族人的生活中举足轻重。The Shaman is a primitive religion culture for thousands of years, existing from the beginning of Sushen tribal age. Manchu shaman was born, and gradually spread so far. Influenced by primitive religion in animism, immortality of the soul and the concept of nomadic nationalities, Shamanism gradually formed and strengthened, resulting in the wizard and Shaman sect and its special form of dance. In general, as consequence of influence of religious ideas, Shaman Dance of Manchu formed two kinds of art forms： a solemn sacrificial dance and ecstasy wild festival dance. Meanwhile, as dance was the main way for the Manchu shaman practices, Shamanism＇ s function in the clan lives was transferred to dance, which played a decisive role in the Manchu life.

关 键 词：原始宗教 满族 萨满 舞蹈 

分 类 号：J722[艺术—舞蹈]