20世纪40年代延安新秧歌的历史性审视  

Historical Review On the New Yangko in Yan'an During the 1940s

作　　者：唐圣菊[1] 

机构地区：[1]南京农业大学人文社会科学学院,南京210095

出　　处：《北京舞蹈学院学报》2014年第3期112-115,共4页Journal of Beijing Dance Academy

基　　金：江苏省社会科学基金项目<苏北传统民间舞蹈研究>(项目编号:13YSD028)课题论文

摘　　要：延安新秧歌是在特定历史时期无产阶级意识形态与传统秧歌有机融合的新型艺术,是无产阶级文艺大众化的一个极具倾向性的文艺表征,开创了具有中国风格和民族气派的革命文艺形态,在宣传党的方针政策、团结和教育民众、鼓舞民心与斗志等诸多方面起到了十分巨大的作用。但是,在全民政治狂欢的新秧歌进程中,某些偏颇的文艺思想对其后的文艺价值取向也产生了一些消极的影响。The new Yangko in Yan＇ an, a new art in the new historical period of the organic fusion of proletarian ideology and tradition Yangko, represented the tendency of the popularization of proletarian literary, creating a revolution in literary form and ethnic style, which played a huge role in publicizing the party＇ s principles and policies, uniting and educating the public, inspiring the people＇ s with the will to fight. However, in the new Yangko, process referendum and some biased ideas also had some negative impact on the literary values thereafter.

关 键 词：新秧歌 历史审视 价值 延安 

分 类 号：J722.21[艺术—舞蹈]