魏晋玄学及玄学美学本体论之考辨  

The Textual Research of the Metaphysics in theWei and Jin Dynasties and Metaphysics Aesthetics Ontology

作　　者：苏保华[1] 

机构地区：[1]扬州大学文学院

出　　处：《社会科学》2014年第7期131-137,共7页Journal of Social Sciences

基　　金：国家社会科学基金项目"魏晋玄学:日常生活转型与文学镜像重建研究"(项目编号:11BZW014)的阶段性成果

摘　　要：自汤用彤指出与汉代宇宙论相比魏晋玄学属于本体论之后,魏晋玄学及玄学美学的本体内涵成为众多学者关注的研究对象,并形成了三种玄学哲学及美学本体论:玄学人格本体论、玄学文化精神论与玄学生命本体论。魏晋玄学及玄学美学本体论生成的基础并非单纯来自思辨和逻辑,而是源于现实的人生实践与审美实践。清谈和品评人物是玄学美学产生和发展的助推剂;玄学兴起与批判谶纬之学有着内在关系,早期玄学家的基本立场属于融道家学说于儒教之中;无论"贵无论"还是"崇有论",抑或"独化论",都蕴含着时代剧变之中民族文化精神继承、意识形态建构的矛盾心态。After Tang Yongtong pointed out that compared to cosmology in Han Dynasty, Metaphysics in the Wei and Jin Dynasties belong to Ontology, the philosophical and aesthetic connotation of Metaphysics in the Wei and Jin Dynasties has become a hot research point for many scholars, resulting in forming three kinds of metaphysics and metaphysics aesthetics ontologies： Metaphysical Personality Ontology, Culture spirit of Metaphysics and Life Ontology of Metaphysics. The metaphysics in the Wei and Jin Dynasties and metaphysics aesthetics ontology originate not only from the speculative and logic power, but also from actual life practice and aesthetic practice. The Idle Talk and Judgement of Men contribute to the origination and development of metaphysics aesthetics; The appearance of metaphysics has an inner relationship with the Theory of Confucianist Divination, and early metaphysicians＇ basic standpoint belongs to the process of fusing theory of Taoism into Confucianism ; All the theories reflect the contradictory mentality that men inherit the spirit of national culture and construct ideology.

关 键 词：玄学美学 本体内涵 有无之辨 名教与自然 

分 类 号：B235[哲学宗教—中国哲学]