理论分歧的解决与文艺批评的深化——兼与王元骧先生商榷  

The Solution of Theoretical Divergence and the Deepening of Cultural Criticism:A Discussion with Wang Yuanxiang

作　　者：李明军[1] 熊元义 

机构地区：[1]内蒙古民族大学文学院,内蒙古通辽028043 [2]文艺报社,北京100125

出　　处：《河南大学学报（社会科学版）》2014年第4期18-24,共7页Journal of Henan University(Social Sciences）

基　　金：2012年文化部艺术学研究项目"当代艺术学发展的反思与建构"(12DA01)阶段性成果

摘　　要：中国当代文艺批评界对当代文艺理论分歧的解决,不但有助于克服文艺创作的现实人生游戏化倾向和文艺批评的文艺经典作品空心化倾向,而且有助于当代文艺批评的深化。优秀的文艺作品既是批判的武器与武器的批判的有机结合,也是作家、艺术家对客观对象的开掘和主观创造的有机结合。作家、艺术家只能在这种有机结合中化解作家、艺术家与人民的矛盾和差异,并成为"社会的共鸣器"。文艺理论家在文艺争鸣中应自我批判和调整,努力把握作家、艺术家的艺术进步。The solution of theoretical divergence by contemporary cultural critics in China can not only help overcome the tendency of literary and artistic creation＇s gamification and the tendency of classical arts＇ hollow phenomenon, but also deepen the contemporary art criticism. The excellent artistic works are not only the organic bond of the critical weapons and weapons of critique, but also the organic bond of the development of objective entity by artists and the subjective creation. The artists and writers can only defuse the diversity between artists and the people in such organic bond, and become ＂social resonator＂. The literary and artistic critics should do self-criticism and try hard to promote the development of art.

关 键 词：文艺理论分歧 文艺批判 艺术进步 文艺批评深化 

分 类 号：I0[文学—文学理论]