创意的版权保护  

The Copyright Protection of Originality

作　　者：张志伟[1] 

机构地区：[1]华南师范大学法律系,广东广州510631

出　　处：《法律科学（西北政法大学学报）》2014年第4期110-118,共9页Science of Law：Journal of Northwest University of Political Science and Law

基　　金：中国博士后科学基金第五十二批面上资助项目(2012M521669);2012年度广东省知识产权局软科学重点研究项目(GDIP2012-G06)

摘　　要：已经形成作品内在表达的创意才能得到版权的保护,纯精神的构思和尚未形成作品内在表达的创意不能给予版权的保护;创意形成作品内在表达的标准是创新性和具体性。创意应当具有创新性,创意的创新性以坚持绝对性标准为主,以相对性标准为辅;具体性要求创意须是明确而深层的逻辑设计,明确即可识别性,深层指可以被实质模仿。运用接触加实质性相似的方法认定创意侵权的成立,要区别是对创意的宏观借鉴还是具体模仿,要注意是整体实质相似还是部分实质相似。可适用版权法中的改编权条款对创意进行保护,但创意的版权保护应受实用-非实用二分原则的制约。The originality which already has works internal expression should get copyright protection; however, pure spirit conception and the originality that has not formed works internal expression should not be given copyright protection. Originality should be of some innovation, in order to prevent creator monopolizing thought; creativity of originality adheres to absolute standard as priority, and to relative standard as subsidiary. The standard of originality to form works internal ex pression has explicit and deep logic design, explicitness means indentifiability and deepness means imitability. It should apply the test which with contact and substantial similarity as core to identify the establishment of originality tort. The clau ses of adaptation rights in copyrights law can apply to protect originality; nonetheless originality cope,right protection should be limited by the principle of ＂practical ＆ non practical＂ dichotomy.

关 键 词：创意 作品 版权 保护 

分 类 号：DF523.1[政治法律—民商法学]