思想史语境里的他者形象研究——关于比较文学形象学研究方法的反思  

The Study of the Image of the Other in the Context of Intellectual History——A Reconsideration of the Methodology of Image Study in Comparative Literature

作　　者：邬震婷[1] 葛桂录[1] 

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《福建师范大学学报（哲学社会科学版）》2014年第4期83-89,共7页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目"中英文学关系史料学研究"(10BWW008)的阶段性成果

摘　　要：中国的比较文学形象学研究,从"他者形象塑造"研究模式起步,发展到目前从跨文化传播角度,探讨西方现代性世界观念秩序里东方主义话语的研究策略,更进一步的研究思路或可体现为思想史语境的他者形象阐释路径。将他者形象问题置于思想史视野中,可以拓展异域形象阐释的学术思想空间,揭示他者形象产生传播过程中的思想意义。作为具有高度学术责任感的跨文化形象学研究,应该将之与中国"国家形象"的自塑运动、国家文化发展战略联系起来。反思传统研究路径,从形象学研究的问题点出发,以跨学科、语境式的思想史分析策略,呈示有益于当下人生与中国社会发展的借鉴意义,是一件极有价值的事情。Starting from the building of the image of the other, Chinese image study in comparative literature has developed a methodology to investigate the features of Orientalism discourse in Western modernity world view from the perspective of cross-cultural communication. This paper suggests a further study strategy of interpreting the image of the other in the context of intellectual history. In this way, we can open a new area of foreign image interpretation and reveal the significance of the formation and spreading of the image of the other. As a highly academic responsible research subject, the cross-cultural image study should combine with China＇s national image creation and culture development strategy, as well as reconsider the traditional method and grasp the key issues of image study in the context of interdisciplinary and intellectual history, ultimately benefiting our present life and the development of Chinese society.

关 键 词：思想史语境 比较文学形象学 中国形象 方法反思 

分 类 号：I106[文学—世界文学]