松竹梅成为中国审美文化传统的内在发展逻辑  

The Intro-logic of Hocs “Pine,Bamboo and Plum” Becoming the Traditional Appreciated Beauty of China

作　　者：周泉根[1] 

机构地区：[1]江西师范大学文学院,江西南昌330027

出　　处：《抚州师专学报》2001年第1期43-44,共2页Journal of Fuzhou Teachers College

摘　　要：“松竹梅”在成为中国审美文化传统时 ,经历了一个从“美善相乐”的“比德”到形质自美的“畅神”的发展过程。前者从实用价值出发 ,后者倚重自然的姿态与品性。这个过渡与南朝的自然审美意识的觉醒紧密相联 ,深受庄学精神的启发与涵养。经过长期的文化积淀 ,自李唐后 ,“松竹梅”逐渐成为一种极具东方神韵的中国审美文化传统。With “Pine,Bamboo and Plum''s different status at different China culture stages,with a common rule of the creation and existance of natural beauty,the present paper will illustrate hors “Pine\,bamboo and Plam\'is influenced by zhuangzi school's spirit and become the appreciated bearty with typical Qriental charm.In addition,the paper analyses the extro-clues and intro-logic of the set-up and development of this kind of aesthetic sense.

关 键 词：松竹梅 自然美 发展逻辑 庄学精神 精神品格 中国 审美文化传统 

分 类 号：B83-092[哲学宗教—美学]