格物致知:理学认识论与文艺审美观  

To Attain Knowledge by Investigating Things:Neo-Confucian Epistemology and Aesthetic Concepts of Literature and Art

作　　者：刘畅[1] 

机构地区：[1]南开大学历史学院,天津300071

出　　处：《天津师范大学学报（社会科学版）》2001年第2期34-42,共9页Journal of Tianjin Normal University(Social Science)

摘　　要：宋代文化中 ,儒、道、禅合流的趋势更为明显 ,士人的文化素养及精神结构也从单一向复合型发展。其中 ,理学思潮对文艺审美的影响不可低估。理学 ,是宋代兴起的以探究心性义理为主的新儒学 ,有较高的抽象思辨水平。“格物致知”,是理学认识论的核心 ,其基本精神是从穷尽一事一物的细微之理入手 ,以求达到对儒家伦理道德真谛的把握。文学 ,从本质上来说 ,也是一种对客观世界的特殊认识方式。从认识论角度考察 ,二者有许多相似之处。理学与文学 ,格物与观物 ,广义的格物态度与宋人诗家三昧 ,实有融会贯通之处。It is an obvious trend of a combination among Confucianism, Taoism, and Buddhism in the Song Dynasty. In the meantime, the cultural attainments of the intelligentsia also changed from single to diversity. Among them, the ideological trend of Neo Confucianism had great influence on the aesthetics realm of literature and art. Neo Confucianism was a school of new Confucianism which mainly explored spiritual truth and rose during the Song Dynasty.“To attain knowledge by investigating things” is a core of Neo Confucianism epistemology. Its basic idea is to attain a perfect mornal level by exploring all subtle things in the world. Literature also is a special way to explore and understand the world in terms of essence. One could find many similarities between literature and philosophy inspecting from epistemology, such as Neo Confucianism and literature, investigating things and observing things, investigating things in a broad sense and poetic secrets in the Song Dynasty.

关 键 词：理学 格物致知 理这认识论 文艺审美观 文学 观物态度 宋代 诗歌 

分 类 号：B244[哲学宗教—中国哲学]