诗骚性情漂泊魂──杨骚心解  

Poetic Disposition and Rover's Spirit──Understand YANG Sao

作　　者：李晓宁[1] 

机构地区：[1]漳州师范学院中文系,福建漳州363000

出　　处：《漳州师范学院学报（哲学社会科学版）》2001年第2期60-66,共7页Journal of Zhangzhou Teachers College:Philosophy and Social Sciences

摘　　要：现代文学史研究中有一种“寻找──转变──定格”的评价模式，以此来评价诗人杨骚多有失当。作为一位浪漫诗人，诗骚性情是进入其艺术世界的关键入口，贫病、多情、精神漂泊是他诗骚性情的一体三面。他的创作活动主要活跃于２０～３０年代，而他最好的诗作就在前期而不是在“转变”之后。即便是“转变”后的创作、爱情生活和社会政治活动也能够从其诗骚性情作由内而外的解释。In the study of modem literary history, there is a kind Of evaluating pattern, that is 'search - change definitize'. It is much more inappropriate when using this pattern to evaluate the poet YANG Sao. For a romantic poet, the poetic disposition is the key entrance to his artistic world. Suffering from poverty and sickness, his spirit roving, all of which showed the three sides of the whole poetic disposition. His creative activities were mainly in the twenties and thirties, and his best creative wrok was created in his earlier stage, but not after his 'chang'. Nevertheless his love life and his social political activities after his 'chang' can also be interpreted from the inside to the outside through his poetic disposition.

关 键 词：浪漫主义 文学创作 生平 情感 杨骚 诗歌 

分 类 号：I207.25[文学—中国文学] I206.6