浅谈中国画之“气韵”与“骨法”  

A Brief Commentary on the Spirit and Structure of Traditional Chinese Painting

作　　者：陈清[1] 

机构地区：[1]山西青年管理干部学院应用艺术系,山西太原030001

出　　处：《山西青年管理干部学院学报》2002年第1期54-55,共2页Journal of Shanxi College For Youth Administrators

摘　　要：中国画几千年的发展史 ,其实也是中国画论美学的发展史 ,前人之述备矣。南宋谢赫的《古画的品录》堪称经典著作。他提出的“六法” ,对中国画的发展与创作产生了深远的影响 ,其中“气韵”与“骨法”四字 ,见解精辟 ,高度概括了中国画的深邃博大和所要追求的崇高境界。Traditional Chinese Painting has a Long history of thousands of years.Also the history is that of aesthetics on the painting.Ancient artists have made lots of commentary in this term.'The Commentary on Ancient Paintings',by Xie He,Nan-Song Dynasty,is really a classical work.His 'six-method-theory'has a far and deep influence on the development and creation of traditional Chinese painting.Among the theory,'spirit'and'structure'especially indicate the deep meaning and high realm.

关 键 词：中国画 画论 "气韵" "骨法" 中国绘画理论 艺术形式 画论美学 

分 类 号：J212[艺术—美术]