感性秘仪·历史重构·艺术想象·精神拯救——希尔达·杜丽特尔“感性”思想探析  

Sensuous Ritual, Re-making of History, Artistic Imagination and Spiritual Salvation: A Tentative Interpretation of Hilda Doolittle's Ideology of Sensibility

作　　者：李应雪[1] LI Yingxue(School of Foreign Languages,Dalian Maritime University,Dalian 116026,China)

机构地区：[1]大连海事大学外国语学院,辽宁大连116026

出　　处：《辽宁大学学报（哲学社会科学版）》2018年第6期138-145,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

摘　　要：杜丽特尔虽身处现代诗歌发展的巅峰时代,但其卓越的文学理念和创作实践却一直未能进入文学"正典",文学研究者对其艺术及思想的评论亦乏善可陈。文章回归杜丽特尔创作的起点,梳理其以女性生命体验为核心的思维与创作体系;以杜丽特尔的诗歌、文论为主要研究对象,通过对自然意象的感性秘仪、女性生命力与历史重构、超意识与艺术想象、艺术之美与精神拯救等问题的讨论,构筑其"感性"思想体系并挖掘其中与男性诗人迥异的"现代意识"。重启对杜丽特尔的研究,管窥现代诗歌嬗变中的不同观念及创作倾向,重塑现代诗坛的多元化形态。Though writing in the peak of poetic Modernism, Hilda Doolittle’s unprecedented conception of literary writing and practice have not yet entered into the literary canon of Modernism. Meanwhile, current studies of her art and thoughts lack insights and freshness. This paper reverts back to the starting point of Doolittle’s writing and constructs her ideological and writing system. Taking her poetry and writing theory as the subject of study, with a discussion of the following issues, such as "the sensuous ritual of natural images", "female creativity and the re-making of history", "over-consciousness and artistic imagination", "artistic beauty and spiritual salvation", this paper intends to rebuild Doolittle’s ideology of sensibility and explore the unique modern consciousness that distinguishes her from modern male writers. By reopening a study of Doolittle, the paper tentatively pigeonholes the diversified concepts and tendencies of modern poetry writing,reshaping the myriad existence of modern poetry.

关 键 词：杜丽特尔 感性思想 自然秘仪 历史重构 艺术想象 精神拯救 

分 类 号：I106.2[文学—世界文学]