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作 者:曾婷婷[1] 周异夫[1] ZENG Ting-ting;ZHOU Yi-fu(College of Foreign Languages,Jilin Universlty,Changehun 130012,China)
出 处:《东北师大学报(哲学社会科学版)》2018年第6期47-52,共6页Journal of Northeast Normal University(Philosophy and Social Science Edition)
基 金:国家社科基金一般项目(13BWW017;17BWW031)
摘 要:日本作家太宰治的战争"缺位"现象,为其文学评价提供了良好的导向作用。但是,作品《海鸥》揭示了太宰治对战争以及军国主义国家日本的态度。太宰治的战争"缺位"只是一种表层的形式,这种表层形式掩盖了他作为一名国家主义者支持战争的深层心理,也造成了学界对相关问题的错误或者模糊阐释。而通过对《惜别》等作品的分析可以深入挖掘出太宰治的思想底层所流淌的"国家神道"的宗教意识形态,是这种思想底层的宗教共同体意识将太宰治推向了国家主义者的道路。The "absence"of the Japanese writer Dazai Osamu's war provides a good guiding role for his literary evaluation. However,the work Seagull reveals Dazai's attitude towards the war and the militaristic country of Japan.The "absence" of Dazai's war is only a superficial form,which masked his deep psychology of supporting the war as a nationalist,and also caused a mistake or vague interpretation of the related problems in academic circles.Through the analysis of the works such as "farewell",we can dig out the religious ideology of "National Shinto"flowing at the bottom of Dazai's thoughts.It was the religious community consciousness at the bottom of the thought that pushed Dazai to the path of nationalists.
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