民国时期县镇区域文化流播形态分析——以嘉兴地区评弹艺人的活动为例  

A Status Analysis of the Regional Cultural Diffusion in Counties and Towns during the Republican Era of China:Taking the Activities of Pingtan Artists in Jiaxing as an Example

作　　者：张盛满[1] ZHANG Shengman

机构地区：[1]中国美术学院社会科学教学部

出　　处：《民俗研究》2019年第1期98-105,157,158,共10页Folklore Studies

基　　金：教育部人文社会科学研究青年基金项目"浙江评弹史与文化跨域传播研究"(项目编号:16YJCZH150);浙江省哲学社会科学规划项目"浙江评弹文献整理与社会史研究"(项目编号:15NDJCYB253)的阶段性成果

摘　　要：长期以来,县域为国家可调控的最基层空间,县乡镇范围亦为文化流传最广泛之区域。作为沟通江浙沪的重要地理空间,嘉兴不仅是江南众多县域单位的重要代表,也是这一地区的文化腹地。广泛流行于嘉兴地区的评弹,是江南的典型文化符号之一,有助于我们了解文化在基层空间流播的实际样态。评弹艺人在嘉兴地区的活动,使其日常生活从常居地向谋生地区转移,并在与地方文人的交往中,为在地文人群体重构提供了平台。其中女弹词以一种性色文化在嘉兴的出现,既有其被接收的公众性,也成为地方文人回忆风月的独特载体。For a long time,county has been the most basic unit that the state can regulate,and a county-town region is also the most widely spread area of culture.As a crucial geographical space that connects Jiangsu,Zhejiang and Shanghai,Jiaxing is not only an important representative of many counties south of the Yangtze River,but also a cultural hinterland there.Pingtan,one of the most typical cultural symbols in south of the Yangtze River,is an important kind of arts widely prevalent at different regional levels of Jiaxing.The investigation of Pingtan in Jiaxing can help us understand the actual status of cultural diffusion in the grassroots communities.On the one hand,the activities of the Pingtan artists in Jiaxing enable them to complete their transfers from the regular places of residence to the places for livelihood;on the other hand,while interacting with local literati,they are provided with a platform for their reconstruction by the involvement of out-of-town artists.In addition,the appearance of female Pingtan artists in Jiaxing demonstrates its public acceptance,and becomes a unique carrier for local literati to recall romantic affairs.

关 键 词：县镇区域 文化流播 在地文人 艺人活动 

分 类 号：I207.39[文学—中国文学]