现代小说的感知叙事  

Perceptual Narration of Modern Fiction

作　　者：游澜[1] 余岱宗[1] YOU Lan;YU Dai-zong

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《福建师范大学学报（哲学社会科学版）》2019年第1期111-119,170,共10页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目"小说批评‘多维性'研究:形态想象;诊断阅读与文化阐释"(项目编号:13BZW010)的阶段性成果

摘　　要：现代小说中,情节主导的文本,行动的交汇或思想的冲突推动着叙事的生成,感知为主线的现代小说,则是通过感知内部以及感知之间的差异性震荡成就文本的进展。现代小说的感知叙事,不仅形成独特的美感,更扩展了叙事审美对世界与人性的理解。From the perspective of narrative aesthetics,modern fiction can be divided into two types of narration. One is Plot-dominated Narration,whose text is formed by conflicts of actions or ideologies,while the other one is Perceptual Narration,which pushes the story through shock of different perceptions inside protagonists’ or between different figures’ minds. The Perceptual Narration of modern fiction,not only helps us to build a unique aesthetic feeling,but also broadens understandings of the world and human nature in the field of narrative aesthetics.

关 键 词：现代小说 感知 叙事 

分 类 号：I054[文学—文学理论]