民间文学对民间小戏研究的理论贡献——以中华人民共和国成立至20世纪末为主要讨论对象  

The Theoretical Contribution of Folk Literature to the Study of Folk Opera——From the Founding of New China to the End of the 20th Century

作　　者：王萍 Wang Ping(School of Literature and History,Lanzhou City University,Lanzhou,Gansu,730070)

机构地区：[1]兰州城市学院文史学院,甘肃兰州730070

出　　处：《西北民族大学学报（哲学社会科学版）》2019年第1期92-98,共7页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：国家社科基金艺术学项目"西北民间小戏与祭祀仪式研究"(项目编号:11EB129);国家社科基金重大项目"丝路审美文化中外互通问题研究"(项目编号:17ZDA272)

摘　　要：中华人民共和国成立至20世纪末,随着北京大学于五六十年代率先将民间小戏作为独立研究对象引入民间文学课程教学体系,民间文学对民间小戏理论的建构做出了重要贡献。首先,确立了民间小戏在民间文学学科中的价值和地位;其次,建构了以民间小戏基本命题、理论范畴为基础的研究体系,而且从创作主体、表演特点上界定了民间小戏概念内涵;再次,形成了具有"自上而下"特点的研究范式。由此提升了民间小戏研究的理论品格,为民间小戏研究打下坚实的理论基础,对后来民间小戏的研究产生了深刻影响。From the founding of New China to the end of the 20 th century,as Peking University first took folk drama as an independent research subject and introduced it into the teaching system of folk literature in the 1950 s,folk literature has made important contributions to the theoretical construction of folk drama.First of all,the value and status of folk drama in folk literature are established.Secondly,it constructs a research system based on the basic proposition and theoretical category of folk drama,and defines the concept connotation of folk drama from the aspects of creative subject and performance characteristics.Thirdly,a research paradigm with "top-down"characteristics has been formed.Thus,it has promoted the theoretical character of the study of folk operas,laid a solid theoretical foundation for the study of folk operas,and exerted a profound influence on the later study of folk operas.

关 键 词：民间小戏 民间文学 研究范式 理论贡献 中华人民共和国成立至20世纪末 

分 类 号：I206.7[文学—中国文学]