西方文论关键词 自我虚构  

Autofiction:A Keyword in Critical Theory

作　　者：车琳[1] Che Lin(Faculty of French Studies,Beijing Foreign Studies University,Beijing,China)

机构地区：[1]北京外国语大学法语语言文化学院,北京100089

出　　处：《外国文学》2019年第1期97-107,共11页Foreign Literature

基　　金：北京外国语大学一流学科建设创新团队项目比较文学与跨文化研究项目

摘　　要：自我虚构是一种介于自传和小说之间的自我书写,是借鉴虚构手法书写自我和认知自我的写作方式,是以虚构僭越真实的一种写作策略。自我虚构在叙事中有意引入双重自我视角,即"真实自我"与"虚构自我",这种创作实践半个世纪以来流行于法国文坛,本质上反映了进行书写的主体"我"与被书写的客体"我"之间、生活经历与文字叙述之间、现实与真实之间的断裂。自我虚构是20世纪后半叶法国哲学思想、社会环境和文学创作实践自然发展的产物,是对既定文学体裁界限的突破和超越,体现了后现代叙事特征。The autofiction is a kind of self-writing between autobiography and fiction.With a dual self-perspective in narration,namely"real self"and"fictional self,"this narrative strategy,which blurs the line between fiction and reality,is practiced for over half a century in France and bears the imprint of the development of philosophy,literature and society in the second half of the 20 th century.It essentially reflects the rupture between the subject"I"in writing and the written object"I,"between life experience and narration,between reality and real.The autofiction takes on some postmodernist narrative characteristics and constitutes a transgression of traditional literary genres.

关 键 词：自我虚构 自传 后现代叙事 杜布洛夫斯基 

分 类 号：I0[文学—文学理论]