贵州丹寨“锦鸡舞”鸟图腾文化考  

A study on the Bird Totem Culture of“Caragana Dance”of Guizhou Danzhai

作　　者：王声珅[1] WANG Sheng-shen(Guizhou University,Guizhou,Guiyang 550001,China)

机构地区：[1]贵州大学,贵州贵阳550001

出　　处：《贵州民族研究》2018年第12期105-108,共4页Guizhou Ethnic Studies

摘　　要：鸟图腾符号作为表现对象或主题出现在"锦鸡舞"之中,扩充和丰富了舞蹈本身的意义,以约定俗成的方式昭然于心。鸟崇拜意识决定了锦鸡舞的外化形象与精神内核,并以其自身的生命系统将不同时代积淀下来的苗族文化转化为可触碰、可继承的物化形象。对苗族锦鸡舞的观照与传承,实则是对民族精神的回归,对自身生命的回望、审视及认可。The bird totem symbol appears in the "Caragana Dance" as the expression object or the theme, expands and enriches the meaning of the dance itself, and is understood in the conventional way. The consciousness of bird worship determines the outward image and spiritual core of the Caragana dance, and transforms the Miao culture from different times into a materialized image which can touch and inherit with its own life system.The observation and inheritance of the Miao nationality’s Caragana dance is actually the return to the national spirit, the retrospect,examination and attitude towards their own life.

关 键 词：锦鸡舞 鸟图腾 符号 身份认同 

分 类 号：J722.2[艺术—舞蹈]