江南稻作农具设计美学研究——以碌碡为例  

Research on Design Aesthetics of Paddy Cultivation Implements in Jiangnan Areas,Take LiuZhou for Example

作　　者：陈桂茹 秦菊英[1] 胡金成 Chen Guiru;Qin duying;Hu Jincheng(Zhejing Sci-Tech University,Hangzhou 310018,China)

机构地区：[1]浙江理工大学,杭州310018

出　　处：《艺术与设计（理论版）》2019年第1期105-107,共3页Art and Design

摘　　要："器非田不作,田非器不成",农具是农业文化的重要载体,稻作农具所体现的设计美学价值以及社会生活民俗文化是研究江南地区稻作农具设计文化的重要内容,对传统农耕文化的传承以及当代设计研究具有重要的意义和价值。作为江南地区重要的稻作整地农具,碌碡不仅满足了稻作生产需求,其在功能、结构、造型、材料、工艺等方面也体现着丰富的设计美学思想,为当代器具设计提供了重要参考。"If farm implements are not supported by agriculture, they will not work. If agriculture does not have the aid of farm tools, it will not succeed." The agricultural implements are the important carrier of agricultural culture. The aesthetic value of the design and the folk culture of the social life, which is embodied in the rice farming tools, is an important content of the study of the culture of the rice farm implements in the Jiangnan region. It is of great significance and value to the inheritance of the traditional farming culture and the research of contemporary design. As an important farming implements of rice, LiuZhou embodies a wealth of design aesthetics in terms of function, structure, shape, material, and craftsmanship while meeting actual agricultural production needs. It provides an important reference for modern appliance design.

关 键 词：江南 稻作农具 设计美学 碌碡 

分 类 号：J06[艺术—艺术理论]