张承志作品的意象群落  

The Imagery Groups in Zhang Cheng-zhi's Literary Works

作　　者：海阔[1] 孙尧龙 

机构地区：[1]中南民族大学文学院,湖北武汉430074 [2]禹州市山货回族中学,河南禹州452500

出　　处：《太原教育学院学报》2002年第2期4-9,共6页Journal of Taiyuan Institute of Education

摘　　要：张承志独特的人生经历与情感体验 ,表现为其作品的意象群落的殊异性 ;其创作主体以人自身理想为准绳 ,表现为其作品的意象群落的排它性 ;随着他疾丑扬美的理想及螺旋递进的人生观的不断成熟 。Imagery means images integrated with personal interest and charm produced by creative subject by means of thinking in art. With the help of imagery ,not only does the subject reflect the writer in materials ,but the readers may understand his intention. To Zhang Cheng zhi a writer of the Hui nationality , imagery is a peculiar style of speech. His novels and proses all present features of poetic flavour. It is imagery that turned Zhang Cheng zhi into a writer rather than Zhang Cheng zhi as a writer of himself created imagery in his works. Regarding the subject s experience revealed in the text as 'Yi', concrete images selected and formed as 'Xiang', and their merger as an integrated imagery group, this article analyzes the causes, features and indicating significance of the imagery group.

关 键 词：张承志作品 意象群落 人生经历 创作主体 人生观 排它性 

分 类 号：I206.7[文学—中国文学]