论雅俗文学的界限——兼向朱立元先生请教  

On Dividing Line Between Refined and Popular Literature

作　　者：燕世超[1] 

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《安庆师范学院学报（社会科学版）》2002年第2期46-48,共3页Journal of Anqing Teachers College(Social Science Edition)

摘　　要：从文本角度来看 ,雅俗文学的界限就在于文本自身在特定情况下为人们提供的文化信息丰富与否 ;但 2 0世纪 90年代以来 ,雅俗文学的界限却呈现出既趋于模糊又趋于分明这一看似反常的现象 ,其根本原因在于理论模式的转换与文学消遣娱乐功能的强化。Viewed from the angle of text,the dividing line between the refined and popular literature lies in whether the cultural information provided for people under the special conditions is rich or not.It has appeared an unusual phenomenon that the line sometimes becomes clear while at other times indistinct since the 1990s.The fundamental reasons exist in the transformation of the theoretical modes and the intensification of the function of literary entertainment.

关 键 词：雅文学 通俗文学 界限 文本 读者 

分 类 号：I044[文学—文学理论]