张爱玲《金锁记》与《窦娥冤》的互文关系  

On the Intertextual Relationship between Chang Eileen's The Golden Cangue and Dou E Yuan

作　　者：李清宇[1] 

机构地区：[1]华东师范大学对外汉语学院

出　　处：《武汉大学学报（人文科学版）》2014年第4期103-108,共6页Wuhan University Journal (Humanity Sciences)

基　　金：国家社科基金后期资助项目(12FZW038)

摘　　要：张爱玲小说《金锁记》的题名来源于明代袁于令的传奇戏剧《金锁记》,而传奇戏剧《金锁记》则是对关汉卿《窦娥冤》的改编。张爱玲的"以戏为名"和"借题发挥"透露出其小说与《窦娥冤》之间存在着互文关系。这一互文关系特别地体现在人物形象、主题思想和叙事结构这三个层面。作为中国古代最伟大悲剧的《窦娥冤》和"中国从古以来最伟大的中篇小说"(夏志清语)的《金锁记》,二者之间的互文性生动地体现出中国现代文学与中国古代文学之间的演变关联。The title of Chang Eileen＇ s fiction The Golden Cangue came from Yuan Yuling＇ s legendary drama. Yuan ＇ s legendary drama is an adaptation of Guan Hanqing＇s Dou E Yuan. Through using an anicent drama＇s title, Chang Eileen revealed the intertextual relationship between her fiction and Dou E Yuan. These intertextual relationship is particularly reflected in three aspects of characters, theme and narrative structure. As the greatest tragedy of Ancient China and ＂the greatest novella in the history of Chinese literatutre＂ （C. T. Hsia）, Dou E Yuan and The Golden Cangue＇s Intertextuality vividly reflect the evolutional relationship between the Modem Chinese Literature and ancient Chinese literature.

关 键 词：锁记 窦娥冤 张爱玲 

分 类 号：I207.37[文学—中国文学]