国家在场对花鼓灯艺术的形塑与征用  

The Shape and Expropriation of the Huagu Opera Art in the Support of Government

作　　者：陈继银[1] 

机构地区：[1]蚌埠学院音乐与舞蹈系,安徽蚌埠233030

出　　处：《阜阳师范学院学报（社会科学版）》2014年第4期25-28,共4页Journal of Fuyang Normal University：Social Science Edition

基　　金：安徽省哲学社会科学规划项目"场域-惯习"理论视域下淮河流域民间艺术文化表征研究--以花鼓灯为例(AHSK11-12D200);2014年度蚌埠市社会科学规划项目"蚌埠花鼓灯传承人口述资料数据库建设研究"(BB14C018)

摘　　要：面对花鼓灯艺术原生态环境在现代文明中逐步恶化的态势,我们需要借助于国家在场对花鼓灯艺术的形塑与征用的力量,结合其内在机制有效的自我调控,让这一繁衍了数百年的传统艺术形式重获生命并得到永续发展。为此,我们将国家在场对花鼓灯艺术的形塑与征用与民间舞体的内应机制比较分析,从而更深入地把握国家在场在花鼓灯传统仪式变迁中的功能性意义。In the face of deteriorating situation of Huagu opera art＇s original ecological environment in the modern civilization , we need the shape and expropriation of the Huagu opera art in the support of government , and combine the inner-mechanism＇s effec-tive self-regulation to make this traditional art form back to life and obtain sustainable development .So, we are supposed to compare the shape and expropriation of the Huagu opera art in the support of government with the inner -mechanism in the hope that we will grasp the support of government＇s functional significance in the transition of the Huagu opera＇s traditional ceremony .

关 键 词：国家在场 花鼓灯艺术 形塑 征用 

分 类 号：H059[语言文字—语言学]