情感结构与悲剧经验:雷蒙·威廉斯的悲剧理论与文学批评  

Structure of Feeling And Tragic Experience: Raymond Williams's Tragedy Theory And Criticism of Literature

作　　者：肖琼[1] 

机构地区：[1]云南财经大学传媒学院,云南昆明650221

出　　处：《西南大学学报（社会科学版）》2014年第4期107-113,183,共7页Journal of Southwest University(Social Sciences Edition)

基　　金：国家社会科学基金项目"马克思主义悲剧理论与现代性研究"(13BZW001);项目负责人:肖琼

摘　　要：雷蒙·威廉斯在现代"悲剧死亡论"的众声喧哗中,重新冷静地思考了悲剧的现代性问题。他从情感结构和生活经验出发,把革命与悲剧联系起来,通过对"自由主义"、"自然主义"、"浪漫主义"等文学流派所表征的悲剧观念、革命观念以及给人们带来的现实反应和情感结构变化的分析,揭示了现实革命行动的必然性、革命目标的绝对性、革命信仰的不可磨灭性和革命行动过程的悲剧性;在文学批评层面,他通过布莱希特探寻现代悲剧意识与未来的革命形式,认为革命的艺术家需要通过艺术形式的构造张力来突显当代意识形态的虚幻性和欺骗性本质,激起人们的悲剧意识和革命观念。威廉斯的悲剧理论与文学批评相互呼应,最终形成了对现代社会悲剧观念转型之际的重要理论构想,为转型时期的现代悲剧观念的形成奠定了理论基础,也为马克思主义悲剧理论的延续提供了重要的理论转向。Raymond Williams rethinks calmly about the modernity problem of tragedy in the discussion of'the death of tragedy'.From the standpoint of the structure of feeling and life experience,Raymond Williams combines the revolution with tragedy,reveals the necessity of the revolutionary action,the absoluteness of revolution target,the indelibility of revolutionary process and the tragic of revolutionary belief,through the tragedy concept and the revolution concept which were represented by the'liberal','naturalism','romantic'and other literary genre,and the real reaction and emotional changes in the structure of feeling which were brought.In the literary criticism,Williams explores the modern revolution forms between tragedy consciousness and future by Brecht,and thinks that the revolutionary artists need the constructing tension of art form to highlight the illusion and fraudulence nature of contemporary ideological,to arouse people's tragic consciousness and revolutionary idea.

关 键 词：雷蒙·威廉斯 悲剧理论 情感结构 悲剧经验 文化革命形式 

分 类 号：I01[文学—文学理论]