性别修辞与20世纪末女性散文的叙述策略  

Gender Rhetoric and Narration Strategy of Female Prose of the Late 20th Century

作　　者：刘钊[1] 

机构地区：[1]长春师范大学文学院,吉林长春130032

出　　处：《北方论丛》2014年第4期54-59,共6页The Northern Forum

基　　金：教育部人文社会科学研究规划基金项目"现代中国女性话语的乌托邦研究"(10YJA1047)

摘　　要：20世纪90年代以后,女性散文中出现了大量以花、树、月等为喻体含蓄表达女性生理、心理与情感的作品,为文学、修辞、性别与文化相互关系的阐释提供了研究对象。文学创作中富有性别意味的修辞,可以称之为"性别修辞"。它不仅是一种文学语言表达的技巧,还是修辞与女性主义文学理论相结合所产生的文化现象。当代女性散文中的性别修辞是女性自我身份认同的表现,也是追求两性和谐的叙述策略。Since the 1990s, metaphoric objects, such as flowers, trees and moon, have appeared with large amount in literary works to imply female physical, psychological and emotional conditions.Such metaphors provide objects of study for the explanation of the mutual relationship among literature, figure of speech, gender and culture.In the literary creation, the figure of speech, which contains gender identification , can be named as“gender rhetoric” -it is not only a technique of literary expression , but also the cultural phenomenon resulting from the marriage of rhetoric and female literature ’ s theories.The gender rhetoric in contemporary female prose is the expression of female recognition of their identity;in addition, it is the narration strategy of the pursuit of the harmony between the 2 genders.

关 键 词：性别修辞 女性散文 身份认同 叙述策略 

分 类 号：I207.6[文学—中国文学]