大巧若拙 汉代早期墓葬中人物木俑的风格和制作手法  

Analysis of the early Han Dynasty tombs style and character of wood figurines production methods

作　　者：李澤琛 

出　　处：《上海工艺美术》2014年第2期88-90,共3页Shanghai Arts & Crafts

摘　　要：时间对于墓葬美术来说是永恒的,无论古今中外,建墓的目的就是将死者和墓内的随葬品＂藏＂于人类视野之外。而今的考古发掘将这一地下的隗宝展现在人们的视野前。本篇文章将展开对汉代早期墓葬中人物木俑在风格和制作手法的探讨。时间对于墓葬美术来说是永恒的,无论古今中外,建墓的目的就是将死者和墓内的随葬品＂藏＂于人类视野之外。Time for burial art is eternals both ancient and modern,purpose built tomb is the tomb of the deceased and the funerary objects 'hiding' in the human sight.Archaeological excavations will now lives under the treasure show in people's vision before.This article will expand on the early Han Dynasty tomb figures wooden figurines in style and production methods of the study.

关 键 词：木俑 制作手法 考古发掘 女侍俑 画像砖 乐伎 招魂幡 楚墓 木雕艺术 恭敬之心 

分 类 号：K879.3[历史地理—考古学及博物馆学]