贞观厥美——谢灵运山水审美易学解读  

An Interpretation of Xie Lingyun's Aesthetics from Changes Scholarship

作　　者：傅志前[1] 

机构地区：[1]山东大学建筑系,山东济南250061

出　　处：《周易研究》2014年第4期63-67,共5页Studies of Zhouyi

摘　　要：晋宋之际,山水诗人谢灵运提出"贞观厥美"的山水审美观。"贞观厥美"的核心是"贞"观山水,就是以一种中立不倚的方法来观山水之"正",以体察天地万物之"真"。这种山水审美观,要求排除任何因素的干扰,保持纯净而无杂念的审美状态观察出真实的山水,以此体现山水之原美。与玄学的"得意忘象"相比,谢灵运提倡的这种山水审美观不仅追求物象之本,而且追求符合物性之美,以求象、意合一,因而更能原自然山水之美。The famous landscape poet Xie Lingyun （385-433） had once raised his aesthetic view of “correctly viewing the beauty oflandscapes,” the core of which is using an unbiased attitude to view the “constancy” of landscapes and observe the “true” of the myr-iad things. This point of view requires getting rid of any kind of interruptive element and keeping a pure aesthetic sate without any dis-tracting thought to observe the reality of landscapes and manifest their original beauty. In contrast to “forgetting images after the ideashave been obtained” adhered by neo-Daoism, Xie’ s aesthetic view not only pursues the substance of the images of things but alsostrives to conform to the beauty of things so as to arrive at a unity of images and idea and better restore the beauty of the natural land-scapes.

关 键 词：谢灵运 贞观 山水 审美观 

分 类 号：I207.22[文学—中国文学] B221[哲学宗教—中国哲学]