影像装置艺术的交互模式研究  

Research on Interactive Modes in Video Installation Arts

作　　者：隋波[1] 李四达[1] 

机构地区：[1]北京服装学院艺术设计学院,北京100029

出　　处：《艺术与设计（理论版）》2014年第7期137-139,共3页Art and Design

基　　金：北京服装学院人才创新项目(PTTBIFT_TD_005);北京服装学院2014年研究生科研创新项目(X2014-065)

摘　　要：影像装置艺术是新媒体艺术中影像与装置艺术的综合形态,是科技前沿与现实生活相结合的重要艺术形式。本文以近年来新媒体影像装置的相关作品为例,探索了数字时代影像装置艺术的交互模式类型。作者指出:随着宽带网络、云计算和各种体感交互设备的出现,以动作感应或动态捕捉为基础的影像装置已成为当前主流的新媒体影像装置的表现形式。同时,随着技术手段的多样性,交互影像装置的发展也呈现出更为多元化的趋势。影像装置作品的丰富性、趣味性、观念性和观众的参与度将成为未来决定作品成败的关键。Video installation art is an integrated form of new media art with video and installation art, and it is an important art form of cutting edge science and technology combined with real life. In this paper, several new media-related video installation art work in recent years have been reviewed and the interactive mode types in digital-era video installation art have been explored. The authors point out： With the advent of broadband networks, cloud computing and various somatosensory interactive devices, video installation arts based on motion sensors or motion capture has become the mainstream media. Meanwhile, with the diversity of techniques, the development of interactive video installations also presents a more diversified trend. Richness, interesting, conception and audience participation will be the key to the success of the decision work in future.

关 键 词：影像装置 交互模式 新媒体 沉浸体验 

分 类 号：J03[艺术—艺术理论]