沿淮民间歌舞的时空构建脉络  

Spatiotemporal Construction Context of Folk Songs and Dances along the Huai River

作　　者：戎龚停[1] 

机构地区：[1]阜阳师范学院音乐学院,阜阳236041

出　　处：《北京舞蹈学院学报》2014年第4期72-77,共6页Journal of Beijing Dance Academy

基　　金：安徽省教育厅2013年人文社会科学研究重点项目"淮河流域民间歌舞艺术生态研究"(项目编号:SK2013A141)课题论文

摘　　要：本文在借鉴历史人类学、民俗学、社会学、生态学相关方法基础上,从历史和现实的多个视角对沿淮民间歌舞的历史生存、群体现状以及与民俗事象之关系进行探讨,认为播衍在沿淮地区的民间歌舞丰富多彩、灵活存现,沿淮民间歌舞是一支庞大的歌舞体系,是在与多象民俗的共融生发和相依滋养的历时进程中而构建,具有多重层次的生态共生模式。This article explores the historical existence, group status quo and its folk customs relationship of folk songs and dancesalong the Huai River on the basis of the methods of historical anthropology, folklore, sociology, and ecology. It argues that the folksongs and dances along the Huai River are of great varieties and flexlbilities, being constructed in the context of fusion and dependenceon various folk customs and presenting a mode of multi-leveled ecological co-existence.

关 键 词：民间歌舞 玩灯人 主体观 时空观 

分 类 号：J722.21[艺术—舞蹈]