论中国现代诗歌审美范式的历史转型  

On the Historical Change of Aesthetic Paradigms in China's Modern Poetry

作　　者：吕周聚[1] 

机构地区：[1]山东师范大学文学院

出　　处：《首都师范大学学报（社会科学版）》2014年第4期101-110,共10页Journal of Capital Normal University：Social Science Edition

基　　金：山东省社会科学规划重点项目"中国新诗审美范式的历史转型"(O6JDB096)的阶段性成果

摘　　要：在中国现代诗歌发展史上,具有共同文化背景、思想观念、诗歌观念和艺术追求的诗人们形成一个诗歌共同体,一个诗歌共同体形成一种独特的审美范式。不同的审美范式之间关系复杂,由一种审美范式衍生出其它的审美范式,后起的审美范式解构之前的审美范式,从而实现审美范式的历史转型。审美范式的历史转型具体表现在诗歌语言、文体、思想、表现手法及风格等方面。In the history of modern Chinese poetry, poets of common cultural backgrounds, ideological penchant, poetic understandings, and artistic pursuits often formed independent communities with their own unique aesthetic paradigms. The relationship among these paradigms are complex, with one paradigm often giving rise to other paradigms, and succeeding paradigms serving to deeonstruct the former one（s） , resulting in historical changes of aesthetic paradigms. These find exhibitions in poetic language, styles, thoughts, methods of representation, and genres.

关 键 词：现代诗歌 审美范式 历史转型 

分 类 号：I207.22[文学—中国文学]