走向审美的孤立与封闭——新时期审美体验论批判  

Toward Isolation and Shut of Aesthetics:Criticism on Aesthetic Experience theory in New Era

作　　者：徐向昱[1] 

机构地区：[1]中国海洋大学文学与新闻传播学院

出　　处：《新疆社会科学》2014年第4期136-142,154,共7页Social Sciences in Xinjiang

基　　金：国家社科基金重大项目"新时期文艺理论建设与文艺批评研究"(12&ZDD013)的子课题"新时期文艺理论对‘西方马克思主义美学’以及西方文艺理论的引进与移植模式研究"的阶段性研究成果

摘　　要：由于对政治功利主义的文艺工具论缺乏深刻的理论辨析,没有清楚地认识到其反现代性的古典主义实质,导致了1980年代中后期文艺理论急剧地"向内转"。在体现着这一理论走向的审美体验论那里,审美仅仅被理解为主观的情感体验或是感性的生命冲动,认识论的维度遭到了弃置,现实生活淡出了理论视野,其结果是使审美走向了孤立与封闭的绝境。通过对审美体验论代表人物有关著述的清理和批判,可以更为深刻地认识到新时期文论的这一根本性失误。Because of lack of deep theoretic analysis on the 'art as tool' theory of political utilitarianism,and lack of distinct notice anti-modern characteristic of classicalism,the theory of art and literature turn to 'inner' sharply since mid-1980.In theory of aesthetic experience which is a symbol determined development of the theory of art and literature,the aesthetics has been understood as subjective emotion experience or perceptual life impulsion,the epistemology was abandoned,the theory neglected the reality and caused the aesthetics toward impasse of isolation and shut.By critics of representative works of aesthetic experience theory,we can take cognizance of the fundamental mistake of theory of literature and art of new era deeply.

关 键 词：审美体验 现代审美意识 主观心灵 情感体验 

分 类 号：I206[文学—中国文学]