“栱斗/斗栱”——福建乡土工匠言语表达习惯与《营造法式》建构逻辑  

Tou-Kung"/"Kung-Tou" :Vernacular Grammar of Local Craftsmen in Fujian Province and the Tectonic Logic of "Ying-Zao-Fa-Shi

作　　者：孙博文[1] 

机构地区：[1]同济大学建筑与城市规划学院

出　　处：《建筑师》2014年第3期82-86,共5页The Architect

基　　金：国家自然科学基金资助课题;编号51378357

摘　　要："斗栱"是建筑史学科中最基本的概念之一,而且其称谓与形象俨然已成为中国建筑史乃至民族建筑形式的象征符号。梁思成先生在对《营造法式》的研究及实物考察的基础上对其进行研究定名。而笔者近期在江南各省对一些乡土工匠进行了田野方式的口述史调研工作,基于笔者观察到的事实,对"斗栱"的称谓及《营造法式》中的相关表达进行了重新地思考。＂Tou-Kung＂ is one of the most basic concepts in architecture history,and its name and image have become symbol of Chinese architecture and the national architecture form.Mr.Liang Sicheng named it depending on the study of ＂Ying-Zao-Fa-Shi＂ and filed research work.While the author recently interviewed some local craftsmen in south provinces in the way of oral history research.Based on the observed facts,the author rethink the name of ＂Tou-Kung＂ and the expression of ＂Ying-Zao-Fa-Shi＂.

关 键 词：栱斗 乡土 建构思维 营造法式 田野考古学 

分 类 号：TU-092[建筑科学—建筑理论]