华枝春满 天心月圆--弘一法师出世、谢世的文学品性辨正  

On the Characteristics of the Literature of Master Hongyi from his born to his death

作　　者：王树海[1] 肖菲[1,2] 

机构地区：[1]吉林大学文学院 [2]长春大学人文学院

出　　处：《吉林大学社会科学学报》2014年第5期128-134,175,共7页Jilin University Journal Social Sciences Edition

基　　金：教育部人文社会科学规划基金项目(07JA751005);吉林大学种子基金项目(2010ZZ044)

摘　　要：背负文学盛名的李叔同,踏进释门后,成为淄素共仰的高僧大德。此间文学进阶的深浅一直牵动着广大读者、偌多信众。法师佛门文学物事,似少专门肃整的研究。教人欣喜的是,出世的法师仍是诗家意气、诗家做派、诗家风范,"有情"宛在。法师"以戒为师"的行持,更趣近文学艺术的同情,"心比平时灵敏,颇有文思",且"妙思泉涌",可"信手挥写"。文学爱惜生命,回护朴初,同情卑弱,右袒不幸的根本属性,因生活中的自戒自律而得以保障。法师诠解佛教非迷信、非宗教、非哲学,"独未"说其非艺术,甚至迳称"佛门生活,就是艺术的生活"。释门24年的文学追询达到痴迷之境,之于文学艺术的生命价值,亦悟到"随时新"的命意,当法师"悲欣交集"时际,留给后人的是生的鼓舞,这安详宁静的力量,默如雷霆。同时刻的文学传达:"华枝春满,天心月圆",是令人期待既久的文学胜境。LI Shu-tong was a famous scholar in literature before he got into Buddhism and became a great master of Buddha. What progress did he make in literature after he was in Buddhism? This question had been asked in the mind of many people and it seemed that it has very few serious studies on the master's Buddhist literature. This paper found out that the master had been the same poet character after he got in Buddhism and produced the poems with sympathetic feature as in secular literature and arts,but more keen in literature and with a flowing thought of poems. Actually,loving lives and sympathizing the weak and the humble and protecting the unfortunates are the nature of literature. Master Hongyi's interpretation of Buddhism was not superstitious,not religious,not philosophical,but artistic. The master's Buddhist life was the life of arts and in his 24 years of Buddhist life he pursued arts as obsessed and showed the life value of arts. He left posterity the encouragement of living and strength of peacefulness and tranquility.

关 键 词：弘一法师 出世 文学品性 有情 以戒为师 随时新 

分 类 号：I206.6[文学—中国文学]