认同危机与选择困境——以李香兰的上海体验为中心  

Li Xianglan and Shanghai

作　　者：徐青[1] 

机构地区：[1]浙江理工大学外国语学院,浙江杭州310018

出　　处：《汕头大学学报（人文社会科学版）》2014年第4期27-32,95,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：浙江理工大学科研启动基金(1108841-Y)

摘　　要：日本著名女演员李香兰活跃于中国影坛和歌坛的时期正值日本发动侵略战争,因此,有研究者认为李香兰的人生既见证了日本昭和史,也见证了抗日战争史和电影史。随着日军南进政策的推进,以李香兰为代表的日本文化界对中国大陆的宣传政策也开始相应跟进。因此,研究李香兰的上海体验和自我认同,既可以了解当时的中日关系,认识李香兰在电影史上的存在意义,加深对东亚的认识,也可以通过电影的"文化政治学"和"思想"切入更为复杂的政治问题领域。李香兰自我认同的多重性也折射出上世纪三四十年代国际都市的复杂性。The famous Japanese actress Li Xianglan was active in China during the Japanese invasion, therefore some reserachers argue that she witnessed.The southward movement of the Japanese army promoted the propaganda of Japanese cultural field represented by Li Xianglan. So a study of Li Xianglan's activities in Shanghai can inform us about the Sino-Japanese relationship at the time, and Li 's significance in the history of film, and get involved in the more complex political domains through cinematic cultural politics and ideas.This article mainly studies Li Xianglan's idea of Shanghai during the Japanese occupation and immediately after it.

关 键 词：李香兰 日本 上海体验 认同危机 选择困境 

分 类 号：I206.6[文学—中国文学]