论中国当代流行音乐的“艺术世界”  

Art World of Contemporary Chinese Pop Music

作　　者：徐习文[1] 谢建明[2] 

机构地区：[1]东南大学艺术学院,江苏南京210018 [2]南京艺术学院,江苏南京210013

出　　处：《艺术百家》2014年第4期177-181,共5页Hundred Schools In Arts

基　　金：2012年度江苏省教育厅高校哲学社会科学重点项目"中国非物质文化遗产学研究"(项目编号:2012ZDIXM027)阶段性成果之一

摘　　要："文革"之后,理论界认为娱乐也是艺术的重要功能,为中国当代流行音乐的出场提供了艺术氛围。中国主流媒介通过一套相对比较完善的生产、宣传、销售体系,在各方力量的博弈下推出一批歌星,形成流行音乐实践的明星制度。随着中国政治走向开放、民主,以及经济地位的上升,政府在港台流行音乐进入内陆时积极引导,促进了大陆当代流行音乐的风靡;香港回归之后,国语流行音乐在香港取代了占主流的粤语时代曲,与此同时,满足中国民族身份诉求的内地民族性通俗音乐流行甚广,中国当代流行音乐的嬗变受制于当时的政治语境。因此,艺术理论氛围、明星制度、政治语境成为中国当代流行音乐的艺术世界,规制着中国当代流行音乐的发生、实践和嬗变。After Cultural Revolution, theorists think that amusement is also an important function of art, which pro- vides an artistic atmosphere for the appearance of contemporary Chinese pop music. Through a set of comparatively perfect system of production, propagandizing, and marketing, and in the gambling of all parties of power, Chinese mainstream media recommends a bath of singers and forms a star system in pop music practice. As Chinese politics becomes more and more open and democratic, and the economic status upgrades, together with the government＇s positive guide of Hong Kong and Taiwan pop music, contemporary pop music becomes fashionable in mainland. After the return of Hong Kong to China, mandarin Chinese pop music replaces Cantonese songs to become mainstream music. At the same time, national pop music which satisfies the identity appeal of Chinese nation becomes popular. Therefore, we could see that the transformation of contemporary Chinese pop music is enslaved to the political context of a certain time. So, art theory atmosphere, star system, political context becomes the art world of contemporary Chinese pop music, and they governs the generation, practice, and transformation of contemporary Chinese pop music.

关 键 词：当代中国 流行音乐 艺术世界 理论氛围 明星制度 政治语境 

分 类 号：J60[艺术—音乐]